What I found most interesting about
these poems was that, aside from the pronoun usage, there was nothing inherently
female about them. While I did assume without much initial question
that these were written by a female, I could not help but give my assumptions a
second thought. During class, we criticized the dismissal of female writers by
their male counterparts. I found that criticism should be directed towards
ourselves as well. By assuming that these poets are female, we suggest that the
emotions and insecurities they feel about their writing is exclusively
feminine. This idea of the “emotional female” presents itself frequently and,
unfortunately leads to hindered talent. I am also aware that we all have preconceived notions about the gender of writers that have been built within our society, but I am very excited to challenge myself to perhaps start thinking differently.
I think
that it would be interesting to have had a male during this time write about
the anxiety he feels when discussing a work that he created. I believe that
when a poem can be of some great meaning to both sexes, it will insure the
continued significance. If these works that we discussed in class were actually
overtly feminist and only served today to be praised or satirized, it would
still be too narrow to maintain relevance with today’s modern readers. This is
important because any suppression that women writers feel from men comes from
the lack of security felt within the males themselves. A cyclical repetition is
found when female writers are criticized for publishing works that are too “emotional”.
The criticism comes from the fact that women are prevented from their writing
being taken seriously, but also the fact that being emotional is associated
with women at all is a criticism within itself. This stereotype may only be present from men because they can perhaps
write of love, trials and insecurities, as long as it isn’t their own. The male
writers discounted the females, because they may have been afraid themselves to
write about their feelings, but females weren’t. Poets like Cavendish and
Bradstreet are important because these fears make the writers more human, and
allow them to connect more to their writing. By noting the differences between
men and women, a disservice is done to literature. It allows us not to think or
to question, and maybe one day we will not need or want to. Judging writers as
merely being a product of our surrounding, and not from our genetic disposition
might be a middle ground for not discounting gender entirely. Viewing it as an
interesting fact rather than the sole reason for that writer to be writing would
disallow stereotypes and incorrect assumptions.
I am very excited to take this
class, and interested to see how my own brain processes gender issues found
within the writings. I am also excited to ramble and complain more about how I
think the world should be, this is all just my opinion so I’m really sorry if I
got carried away.
Shelbi, I love this! I think it's true that these works are not inherently feminine, and that's what makes them so interesting. These writers have the trepidation about their works as any other writer, make or female. I do feel, however, that studying a writer's background, especially their gender and standing is still important, in order to better appreciate the work.
ReplyDeleteA terrific post and response. Lots of good questions and reflections here!
ReplyDelete